Monday, November 19, 2012

Simple Pleasures

I am fond of saying I don't take photographs....I am given them. A rather straightforward statement which, upon further thought, sums up my approach to photography. Being aware of the world around you and the simple, everyday things in it can often lead to some wonderful images. Having your camera handy doesn't hurt either. Take this recent photo for example.
© David Toczko

I was visiting a friend last week and as we were standing in the kitchen drinking what was probably our third cup of coffee, I glanced over and saw this pitcher on the counter. A simple, ordinary object to be sure, but the way the light was coming through the window, the way the counter top reflected on the pitcher was what caught my eye.

I quickly grabbed my camera from my bag in the other room, raced back to the kitchen and fired off the shot. Those who know me will agree this is not an uncommon event, but can be a bit unsettling for anyone experiencing it for the first time. Especially if it is something as common as a pitcher. How many times had that scene played out? How many mornings had the sun streamed through that window and cast those shadows? Had anyone noticed? Had anyone stopped to enjoy the simple yet magical moment?

My football coach used to tell me to keep my head on a swivel, taking in the big picture and to see what was going on all around me. Little did I know it would carry over to photography. Our days are full of magical moments all around us if we just take the time to notice them. As a photographer, capturing and sharing these moments with others is the best part of what I do. 

So...what's the takeaway? Be aware of the world around you. Open your eyes (and mind) to those special moments and scenes happening all around you every day. Notice the gifts that are given you to capture and share no matter how fleeting. And, of course, keep your camera handy!

Happy Shooting

Thursday, June 14, 2012

As Time Goes By. A Quick Look Into Time Lapse Photography

Time lapse , simply put, is a series of photos taken at a given interval over a period of time. The photos are played back in a video at a high rate to give the impression of a video. Typically these are things that happen slowly over a long period of time. Think of clouds moving across the sky, a flower opening or the stars/moon moving in the night sky. Yes, it can be time consuming both when taking the photos as well as processing, but the results can be pretty cool. Here's a quick example....................


Equipment you'll need........



  • A sturdy tripod
    Even the slightest movement will show up in the final product, so use a tripod that will hold the camera still and in the same position for an extended period of time. HINT.....wind is your enemy.

  • A remote shutter release.
     Pressing the shutter manually can cause the camera to move ever so slightly. Most cameras these days have a timer function, but usually can't be set for more than 10 seconds. That function also uses battery capacity. Save your batteries for the shots and get a remote switch. Some cameras are picky about which ones they work with as well as how you connect the two together, so take a few minutes and make sure it will work with yours. You can get these gizmos in any camera shop, through your camera's manufacturer or online (EBay, Adorama, Amazon) If you are shooting for more than a few minutes, I would highly recommend a  Intervalometer.  This is a handy little tool that lets you set it....and forget it. I'm speaking of the interval between shutter releases. Some also have added features like exposure time when the shutter is open. Google the term and you will find tons of different kinds in all price ranges. Unless you plan on standing with your camera for hours either counting to yourself or looking at your watch, these things are indispensable. HINT....set the interval between shots long enough so that each image has time to write to your card without going to your buffer.



  • A memory card with lots of space.

     We are talking about taking a lot of shots here. One shot every 5 seconds for 8 hours.....you do the math. Nothing worse than your card filling up right at the critical moment. Don't think you can just stick another card in. You WILL move the camera and you WILL mess up your lapse.

  • A fully charged battery or an AC power connection.  
    Again...lots of exposures...lots of time. don't let your camera die due to low batteries.

Now the technical stuff.........(Camera Settings)


DO NOT shoot in program mode!!! If you do, the camera will adjust for each individual shot and your final product will be all over the place. The first setting to make is White Balance. Do NOT use Auto White Balance. Set it using a grey card or simply choose one of the presets your camera has built in. I use a White Balance of 5200K...but that's just me. These other settings are as much art as they are science. Remember you will be shooting over a long period of time and lighting conditions will change, so plan for that from the start. Choose a reasonable ISO setting. If you are shooting stars at night, the sky is the limit (no pun intended) as for how high you can go with this setting, but be aware that, generally speaking, the higher the ISO, the higher the amount of digital noise in the shot. Shutter Speed should be set to give a good exposure given the conditions and your ISO setting. I can't believe I am going to say this, but.....don't set your speed too high and don't worry about getting a tack sharp shot. I say this for two reasons. When you put all these images together, you may see a phenomena known as "flicker". While there are several reasons for "flicker", the most common is too high a shutter speed. The other reason is so you have a SLIGHT amount of motion blur in each shot which helps give a smooth transition from frame to frame. So drag your shutter just a bit either by the speed setting or by use of ND Filters. Set your f Stop for the desired effect and exposure you want, but I would start with something around f /11. If all of this seems a bit daunting, take several test shots at various settings and see what works best for you. Another way would be to run off a few shots in program mode and make note of the settings the camera automatically applied. Switch to manual and use those settings. Finally, take your camera and lens out of auto focus mode and set it manually. That way your focal point stays the same throughout the series.

After firing off all these shots, you'll need to process the images and a program to assemble them into a "video". Use the program you normally do to adjust and process your images. No need to adjust each individual shot. Simply select the first image, adjust it to your liking and then copy and paste the corrections to the other images. Since your camera setting didn't change (you WERE shooting in manual mode) the changes in the conditions over time will come through. There are hundreds of programs out there that will create time lapse videos and range in price from free to hundreds of dollars. If you are doing this for fun and the experience....go free first. For short clips, Picasa has a nice time lapse feature and it is free!


So set up, sit back and have fun!









Wednesday, February 22, 2012

Help Me Walk "The Walk"

About the Project:
My project is to walk The French Way / Camino Frances which is the most traditional of all the pilgrims’ ways to Santiago via The Way of St. James and the best known internationally. The journey covers a distance of 780 KM (482 miles) and will take about 59 days to walk. I plan to document this pilgrimage in photographs as I go. Not only the route, but the places and people I encounter on my journey. Regular blog entries to supporters, friends and family will keep them up to date on my progress as well as provide sneak peeks of photos that may appear in the book. After finishing the journey, I will produce and publish a book containing photographs, information and my impressions of my adventures. Through these photographs, I hope to give readers who may never have the opportunity themselves, to experience and enjoy this tradition. For others, I hope to inspire them to make their own journey as well those who have already, to share and remember the experience.
Your Support:
Will help fund this project and help defray the costs of travel, accommodations, meals and other associated expenses. Once the pilgrimage is completed, funds will be used to produce, publish and distribute a book about my adventure.The route, which was established in the late 11th century, crosses the North of the Iberian Peninsula, through the Basque Country, Navarra, La Rioja, Castilla y Leon and Galicia regions of Spain.  Starting in Saint-Jean-Pied-de-Port, at the foothills of the French Pyrenees, the French Way runs through Northern Spain, from East to West, all the way to Santiago de Compostela, in the Northwestern corner of the country.
About The Way:
Click Here for a video about El Camino de Santiago (or The Way of St. James). 
This is the pilgrimage to the Cathedral of Santiago de Compostela in Galicia, north west Spain, where legend has it that St. James' remains  were carried by boat from Jerusalem to northern Spain where they were buried on the site of what is now the city of Santiago de Compostela. The Way of St James has existed for over a thousand years. It was one of the most important Christian pilgrimages during medieval times. It was considered one of three pilgrimages on which a plenary indulgence could be earned (the others are the Via Francigena to Rome and the pilgrimage to Jerusalem).
There is no single route on the Way of St. James. In fact, there are a number of pilgrimage routes to Santiago de Compostela. However, some of these routes are perhaps better known than others. Santiago is considered to be an important pilgrimage destination because of its association with James the Great. During the Middle Ages, the route was highly travelled, but the Black Plague, the Protestant Reformation and political unrest in 16th-century Europe resulted in a usage decline. By the 1980s, only a few pilgrims arrived in Santiago annually. However, since then, the route has attracted a growing number of modern-day pilgrims from around the globe. The route was declared the first European Cultural Route by the Council of Europe in October 1987; it was also named one of UNESCO's World Heritage Sites in 1993.
The Modern Camino`s revival began in the 1960s thanks to the efforts of people like a local parish priest who wrote a guide on the Camino and travelled around Europe giving lectures on the subject. Although initially a pilgrimage for those with religious motivations, there are many travellers and hikers who walk the route for non-religious reasons: travel, sport, or simply walking in a beautiful but challenging landscape. Also, many consider the experience a spiritual adventure away from the stress of modern life. In 2010 (the most recent year for which data is available) 272,313 "pilgrims" completed the entire trek. Thousands more did portions of "The Way".
More About Me:
More About My Work:

Monday, July 18, 2011

Springfield Chair - The Back Story


 I recently posted the following photo to a group of which I am a member on Facebook. One of the comments was interested in the back story of the photo. I usually don't say that much about the photos I post, but this got me thinking it would make a good blog entry. I am WAY overdo on one anyway! Soooooooo....about the photograph itself.


© David Toczko


This is one of my favorite photographs. I was in Springfield, Kentucky covering the unveiling of a statue of Abraham Lincoln. It was an all-day event with bands and speeches....you get the idea. I took the opportunity of a break in the action to stroll down Main Street. Springfield is a quiet, friendly small town with a great downtown revitalization effort going on. As I walked and window shopped, I came upon an empty store front with this chair outside. For some reason, it immediately grabbed my attention. I loved the texture of the brick, the faded chair, the worn fabric, the iron work on the front door. As I stood there, I wondered how many folks had sat in that chair and who was the last person. What did the store sell and why did it close? What is a chair doing there anyway? Right then I had the final image in my mind, but it didn't come out of the camera this way. This is one of the photos I allowed myself to indulge in some artistic post-production work.

© David Toczko
 Here is the original image after processing the raw file in DxO Optics. The first thing you notice is that the original is a color photograph. I always shoot AND process in color rather than using the black and white option on the camera or creating a black and white when processing the RAW image. I do this for two reasons. The first is artistic. I think color images make better black and whites once converted than an original black and white. I think the saturation of the colors makes for stronger contrasts and shadows. And I have better control over the final outcome. The second reason is practical. You can always make a black and white from a color image...but not the other way around. Who knows what else I may want to do with the image....perhaps a HDR version....so start with color and go from there. I will say that I have been known to make virtual copies of images when processing the RAW images and apply black and white Film Pack effects to the copies whilst in DxO, but the original is always color. DxO has it's own set of great black and white film emulations, but I had a special look in mind.
                                                                                                          
© David Toczko
Now for the fun...ahem...artistic part! I fired up Nik Software's Silver Efex Pro, an absolutely amazing piece of software for black and white conversion in my opinion. I scrolled through the baseline presets to get a general idea what may be possible.I found something close to what I had envisioned when I took the photo and then began to tweak the settings. I was able to select from a wide variety of film emulations and adjust to my liking even farther.                               
                                                                                                      



Nice....but I want more. A little more grunge, a little more wear and tear. So back to Silver Efex. I applied another layer on top of what I had already done using a preset called "Wet Rocks". That gave me the look I was going for. I could have stopped here....and did for a while....but then the artistic devil on my shoulder said "Hey, wouldn't this look great in a sepia tone?"      

    
© David Toczko


Temptation got the better of me and off to Nik's Color Efex Pro I went in search of just the right sepia tone. With a host of options, it was easy to find just the right look I was going for. The quick preview feature Nik's software has along with a side-by-side before and after made the selection of the "Paper Toner" preset painless. A few tweaks to the preset for my personal taste and I was done. Again, the finished image that was featured at the top of the article is shown below.




© David Toczko
All images and text are copyrighted ©2011 David Toczko

Thursday, August 20, 2009

Homer

© David Toczko

Sometimes the less said about a photograph, the better. Such is the case with this image I call "Homer" and I will leave you to draw your own conclusions. I will, however, give you the back story on how I came to capture this image.
I was in New York City a couple years ago and went to Washington Square Park for a day of recreational photography. While I was photographing the fountain at the center of the park, a homeless gentleman approached me and said, "Hey man, it's my birthday...take my picture". Not really knowing what to do and not wanting any trouble, I turned towards him and fired off a quick shot. As I started to turn back towards the fountain, he thanked me, saying he didn't know if he would live to see his next birthday. Well, I was overcome. I do not carry cash on the streets of New York but had stashed five dollars in my pocket in case I wanted a cup of coffee or the like while I was out. I dug into my pocket, handed him the five dollars and told him that was all the cash I had. He thanked me and walked away. I didn't get a chance to hear his story or even get his name. I resumed photographing the park and didn't give the matter any more thought.
Once I returned home, I started sorting through the hundreds of images I had taken during that week in New York and came across this photo and it stopped me dead in my tracks. I just stared at the computer screen with his image on it for what must have been a half an hour. I had to give him a name...but what? Since he was homeless on his birthday, I decided on Homer.
I have been back to New York several times since my chance encounter and have gone to that park in the hopes of seeing him. If nothing else to make sure he is alright, to tell him what an impact his photograph has had on me and others who have seen it and to hopefully learn his name and his story. So far, I have not seen him there. I will be back in New York in October and will once again go to Washington Square Park to look for Homer.

Thursday, August 13, 2009

Pictures vs. Photographs (Part 2)

Now that I have you rolling around on the ground, it is time to talk about backgrounds. While a close-up always makes a nice photograph, having something in the background of the main subject can add interest and a sense of time and place to an image. Think about that family vacation. A tight head shot would look the same at Disney World as one taken at the Grand Canyon. Have the Magic Kingdom in the background and even Aunt Maude will know where it was taken. How much detail that can be discerned in the background is a function of depth of field which is a topic we can tackle in a future entry. The mantra here is that the background should compliment, not distract from, the subject.



© David Toczko

Take a moment before firing off that shot to scan the background. Is there an unsightly sign you really don't want in the shot? Are there strangers wandering about nearby that could distract the viewer? The photo above is a good example. I wanted the view through the window included to give a sense of place to the image. Scanning the background just before I released the shutter, I noticed a man and woman walking down the road. Having them in the image would pull the viewer's attention away from the chairs and the cascading sunlight to what was going on in the background. My solution? Stop...take a breath and just wait for them to walk out of the shot. Five seconds of waiting saved me untold work on the computer later.

Try to move the objects out of the shot if possible. Have your subject move slightly or you can reposition yourself to avoid getting that trash can in the family reunion photo. In a more kinetic environment, such as a wedding where you are so focused on "getting the shot", it is nice to have an assistant literally looking over your shoulder with the expressed purpose of being on the lookout for such things. Those flowers on the altar are beautiful, but pose a bride in front of them and they will appear to be growing out of her head in the final image.
Don't rely on post-production editing to do this for you unless absolutely unavoidable. How many times have you heard, "Oh, you can just Photoshop that out."? Editing background clutter takes time, a lot of time and in more cases than not, creates its own set of problems with the image. Take the before and after comparison below as an example. (You can click on the images for a larger version) There are a host of problems related to background and foreground with the first image. A woman is in the window across the street, a car is passing out of view on the street, an ashtray and traffic cone are in the foreground. What a mess! After about an hour of work in Photoshop, those issues were resolved in the second image. Take the few extra seconds when you are framing the shot and do "Pre-Production Editing".


In the real-time world, our mind focuses on the point of interest and we don't often see what may be in front of or behind that point. In the split second timelessness of a photograph, those items can ruin an otherwise wonderful image. We are working against human nature, but with time, patience and practice, this simple step can become second nature and will help create memorable photographs.